Tuesday 23 February 2016

Mad Max: Fury Road - even faster and more furiouser

Before I write anything about this, I'll start off by saying that I've never seen any of the Mad Max films.  I guess I was either too young or too disinterested in cars when it was the 1980s.  I was assured by a number of people that this was certainly no boundary to enjoying Mad Max: Fury Road.  Having watched the film I'm less sure, only because I would have liked to have understood a little more about what was going on.  Other than this there is a lot to enjoy here.

The film takes place almost entirely on the road, in a drugged up post-apocalyptic desert world where water is controlled by the warlord Immortan Joe.  The only thing more important than water it seems is petrol, which fuels the various bonkers vehicles that the acolytes of Joe use to career around the desert.  The plot is that for some reason Imperator Furiosa (Charlize Theron) decides to abandon whatever privilege she has obtained for herself in Joe's kingdom and escapes with his favoured 'breeders' - a group of lightly-clothed and generally pregnant woman.  Almost immediately Joe mobilises his automobiled army of drugged-up drone-nutters to catch her - for 100 minutes.

It is impossible to disagree with Mark Kermode's assertion that watching Mad Max: Fury Road is something akin to being shouted at while being run over.  It's a chase movie fro start to finish, almost the entire film takes place on the backs of a variety of bizarre-looking buckets of souped-up rust careering about a post-apocalyptical wasteland.  Characters are a mix of insane drone-like beings who live for the thrill of the chase, ethereal pregnant breeders and a couple of vaguely normal-looking petrol-heads - who we presume are our heroes - played by Charlize Theron and Tom Hardy.  Plus a guitarist who leads Joe's warriors into battle from the front of a coverted articulated truck / Ork battlewagon, his guitar spewing flames from its neck obviously.
As an action film it's probably exactly what anyone would want from the genre.  It's simple goodies v baddies in a bonkers world of explosion and unshown consequences where most of the participants value life so little that their own deaths are embraced as an opportunity to show off one's bravado.  There is a comic book style to the landscapes and characters, reminiscent of the recent Borderlands computer game series (though that in itself was perhaps based on the original Mad Max films).  I also felt that there was an element of 300 about it in both style and content, the colour palate has an unrealistic deepness to it, enhancing the fantasy distopia.  This works well with the fact that most of the stunts and collisions are real stunts and collisions, creating a world in which action scenes have the look of a typical comic book action sequence, but with the weight you can only get by actually seeing an actual car smash into another.
I'm not sure what I was expecting; I had been promised a feminist action film, but I don't understand how you can interpret it that way.  I ended up watching 100 minutes of insane comic-book violence; a quite mesmerising blend of the real with the digitally-enhanced that should hold most people's attention for its full run-time.  Can't really recommend it if you're not into this sort of thing.  But if you enjoy a bit of bonkers relentless action, well then this'll scratch your itch - then run it over.

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