Tuesday 26 September 2017

Get Out - comedy / thriller / horror. All that and more.

Took a rare trip to the cinema back in April (and rarer still these days that I am blogging about it - even if it is 5 months later).  I had a free weekday evening and so I did that thing that I do enjoy doing, watching a horror film in the dark at night.  Better still when one has to walk home at midnight in the dark.  All about there scares innit.

Get Out stars Daniel Kaluuya as Chris, a guy who has been going out with Rose (Allison Williams) for a few months.  Naturally Rose wants Chris to meet her parents.  However he is reluctant.  She is white, he is black; Chris is cautious about how they will react.  Rose's reassurances about her parents' ludicrous liberalism put Chris mostly at ease, but his nagging doubts aren't about to vanish at any point.  This is America after all, and race is as much an issue today as at any point in its history.  What could possibly go wrong?

The film continues into 3 acts, each with a very distinct tone.  We go from borderline cringe-comedy, to spooky mystery, to slasher horror, with the end of each act clearly signalling the transition to the next.  Everything is tied together with a playfully comic undertone as Chris stays in touch with his friend (comic relief) Rod throughout his entire time with Rose's parents.  From this we pretty much know that nothing can really happen to Chris as he navigates his way through the minefield of parental hyper-liberalism - Texas Chainsaw Massacre this is not.  One could criticise this as undercutting the horror elements of the story, but I think it actually helps create a playful tone that reminds us that horror films are meant to be entertainment.  Carefully done, it is possible to create a light tone around sinister ideas.  Black comedy is after all a thing, and Get Out is nothing if not that (but with a lot more horror).

I distinctly remember Kaluuya starring as the lead in the best episode of Black Mirror's original run back in 2011, but I can't recall seeing him in anything else.  A strong performance in both these roles surely sets him up for more work in the future.

My opinion is that this isn't quite the game-changing thriller is was billed as in some parts earlier this year, but it is an extraordinarily good horror / thriller.  Of particular note is the film's tone, which is shifting but well-crafted to great effect.  I await with great interest to see what writer / director Jordan Peele gets up to next.

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